In the Mood for love

Published on by The Inquirer

Perpetually in the vanguard of world cinema, Wong Kar-wai reinvents and reenergizes his aesthetic with each new picture. With In the Mood for Love, his latest variation on a cherished theme, he delves into a universe of understated passions restrained by decorum.

by kent jones



The word is that In the Mood for Love, Wong Kar-wai's latest urban fantasia about two neighbors whose spouses are having an affair, is a departure for the director. For aficionados, it's a welcome return to the contemplative tone of his earlier mood-drenched period piece, Days of Being Wild. True enough. In the Mood for Love is composed with a more sedate camera than the tactile handheld pov of the previous movies, and it shares with Days of Being Wild a Viscontian immersion in the ambience and mores of Hong Kong in the early Sixties. But in all other ways, the new movie is entirely consistent with the director's development since Chungking Express.


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